Here’s a video of me pitching my book SMOKER as one of the finalists in the inaugeral Comic Book Challenge in San Diego in 2006:
We had to submit one page of art with our original 1-page pitch. The art that they all (including Marc Silvestri) mention liking so much was this page, by the talented Ryan Sergeant:
Don’t worry. This project is still happening. That somewhat beleaguered hat I’m wearing was a hand-me-down from my dad. For a couple years, I used it and another thrift-store hat similar to it in an experiement to visually brand myself when I went to cons. Apparently it worked, because last month at NYCC I still had people I couldn’t remember recognize me as the “guy with the hat”.
Ultimately, I’m quite glad Comic Book Challenge didn’t work out, because I wouldn’t own SMOKER if it had. This is a pattern I’m noticing. I think maybe signing away something (even partially) will be worth it in terms of exposure, but as the reality gets closer and closer I cringe more and more until I can’t really do it. I simply believe too strongly in owning my won work. Case in point, I’ve been developing a Zuda entry. My friend David Gallaher was the first winner with his and Steve Ellis’s comic High Moon, and when I talked to him at NYCC he had nothing…nothing…bad to say about them. But still, as I develop the project, now I want to take it to Image instead. We’ll see. It may still need to go somewhere like Zuda so my artist can get paid…
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Caleb,
That art looks glorious!
Thanks for showing us the pitch Caleb. Not everyone would post something that didn’t go well. I learned a few things about pitching ideas just by watching you on the spot like that.
Thanks for sharing!
Thank you, guys!
Daniel, I’m curious: did you learn what to do or what not to do? Because I feel like I learned some of each that day. I spent the week before studying all these DVDs on how to pitch live (they were mostly about pitching screenplays, but a story’s a story, right?). They gave me a great basis, I think, but the actual pitch and how quickly things can change in a live setting…well, you can only be so prepared for that.
I learned two things: First, get straight to the point, and second, how quickly an idea gets shot down if the main premise doesn’t fly with them…they didn’t even let you pitch the story, they zeroed in on the smoking thing, which to be honest, I had the same reaction…but because we didn’t hear the pitch, we don’t know if the story has potential or not.
That’s about what I learned, too. Glad the lesson could be passed on without you having to learn it the hard way…
[...] pulled down over one eye. Here’s the hat in a still captured from the YouTube video of me pitching for Comic Book Idol in [...]